The 1979 film Alien, directed by Ridley Scott, is a groundbreaking science fiction horror movie that has become a classic in both genres. Here are some fascinating facts and trivia about the film:
H.R. Giger designed the alien creature, and his work heavily influenced the film's aesthetic. The Xenomorph's biomechanical look, with its sleek, terrifying design, became one of the most recognizable creatures in cinematic history. Giger's designs were inspired by his own surreal and often disturbing art, and his creation was dubbed the "perfect organism."
The famous chestburster scene, where the alien bursts out of John Hurt’s chest, was filmed with little warning to the actors. Ridley Scott wanted the reactions to be genuine, so the cast did not know exactly when the chestburster would emerge. The shock and terror you see on the actors’ faces were real, especially from Veronica Cartwright, whose scream was authentic.
Sigourney Weaver, who played the strong-willed protagonist Ellen Ripley, was not a major star before Alien. Ridley Scott initially wasn’t sure about casting her but was impressed by her ability to portray both strength and vulnerability. Ripley would go on to become one of the most iconic characters in film history, particularly for her role as a feminist action hero.
Sigourney Weaver, who played the strong-willed protagonist Ellen Ripley, was not a major star before Alien. Ridley Scott initially wasn’t sure about casting her but was impressed by her ability to portray both strength and vulnerability. Ripley would go on to become one of the most iconic characters in film history, particularly for her role as a feminist action hero.
The design of the Xenomorph was partially inspired by the behavior of insects, particularly the alien’s acidic blood, which mimics the dangerous qualities of some real-world insects and their predatory nature.
The Nostromo, the ship the characters travel on, was designed by artist Ron Cobb. Its industrial and utilitarian look was intended to make it feel like a real, working-class vessel, in contrast to the sleek, futuristic ships often seen in sci-fi movies. The ship’s design contributed significantly to the film’s atmosphere.
The film was made on a relatively modest budget of $11 million (which was low for a sci-fi film at the time). Despite this, Alien grossed over $104 million worldwide, becoming a huge commercial success and launching a franchise.
Ridley Scott was heavily influenced by Steven Spielberg’s Jaws (1975). Both films share the idea of suspense and horror created by the unseen or partially seen monster, and Scott consciously avoided showing the full alien for much of the film, building tension and fear
The cat, Jonesy, is often seen as a source of comic relief and emotional grounding in the film. The cat survived the chaos aboard the Nostromo, and in the film’s final scenes, Jonesy becomes one of the few survivors. Ridley Scott had to work with a trained cat to get the required shots, and it proved to be a challenging task due to the cat’s unpredictable behavior.
Alien was rated R, which allowed for more intense horror and gore, but the film's success showed that an adult-rated science fiction film could attract a large audience.
Alien was the first film in what became a massively successful franchise, spawning sequels (Aliens, Alien 3, Alien Resurrection), prequels (Prometheus, Alien: Covenant), comic books, novels, and video games. It also inspired a crossover franchise, Alien vs. Predator.
The terrifying sounds of the Xenomorph were created by sound designer, Ben Burtt. He blended various animal noises, including the sounds of an elephant, to make the alien's screeches and growls more menacing and unnatural.
Initially, Ripley was a male role in the script, but Ridley Scott and the filmmakers decided to cast Sigourney Weaver, a woman, in the role. The change of gender for the lead character was ahead of its time and added a unique dynamic to the film's exploration of survival, leadership, and strength.
Alien was a game-changer in terms of blending science fiction with horror. It redefined the genre by combining a futuristic setting with intense, claustrophobic horror elements, something that hadn't been seen before. Many subsequent sci-fi and horror films would cite Alien as a major influence.
Sigourney Weaver was not a trained fighter or action star when she filmed her climactic showdown with the alien in the film’s final moments. She had to do most of her own stunts and insisted on doing as much of the action herself as possible.
Ridley Scott filmed multiple endings for the movie, and although the final one is iconic, it wasn’t always a certainty. One of the alternate endings had Ripley not survive, and another had the alien escaping to Earth.
The interior of the Nostromo was filmed on sets constructed at Shepperton Studios in Surrey, England. The production team also utilized the "space" environment in dark, confined spaces to enhance the claustrophobic atmosphere, as well as adding eerie lighting.
Ridley Scott released a special director’s cut of the film in 2003, which included additional scenes and slightly altered pacing. Fans of the film have debated the merits of both versions, but many consider the theatrical version to be the definitive one.
The film’s visual effects, handled by the legendary studio, Chesley Bonestell Productions, were revolutionary for the time. The film’s practical effects, such as the alien costume and animatronics, were groundbreaking in their realism and technical execution.
Alien continues to be regarded as one of the best horror films of all time, known for its atmosphere, tension, and the haunting presence of its titular creature.
Aliens (1986), directed by James Cameron, is the sequel to Alien (1979) and is one of the most influential sci-fi action films of all time. Here's a list of fascinating facts and trivia about the film:
Sigourney Weaver's portrayal of Ellen Ripley is one of her most iconic roles. For Aliens, she was awarded a Golden Globe for Best Actress and was nominated for an Academy Award. The role of Ripley in Aliens is often considered a perfect example of a strong, complex female lead in action films.
Unlike the first film, where Ripley was more of a survivor, Aliens sees Ripley transform into a more proactive and authoritative character. Her character was inspired by the growing trend of strong female protagonists in the 1980s, such as Sarah Connor in The Terminator (1984), also directed by James Cameron.
While Alien was a horror film, Aliens is a more action-oriented film, mixing sci-fi with war film elements. Cameron’s direction injected a sense of military combat, with Ripley leading a group of Colonial Marines against a deadly alien threat. This shift in tone was a defining characteristic of the film and contributed to its success.
One of the most iconic moments in Aliens is when Ripley dons a mechanical exosuit (a "power loader") to fight the Alien Queen. The suit was built practically, and Sigourney Weaver had to learn how to operate it. The design of the power loader was inspired by the mechanical equipment used in real-world industries, like mining and heavy lifting.
The Xenomorphs in Aliens were redesigned from Alien to appear more aggressive and numerous. The design of the aliens was more militarized, as opposed to the lone, lurking terror of the original. The film introduced the concept of the "Alien Queen," which added a new layer to the alien mythology.
The Alien Queen, an immense creature that serves as the mother of all Xenomorphs, was brought to life through a combination of practical effects and puppetry. Stan Winston, a legendary special effects artist, created the Queen, which was a large animatronic creature. The Queen's final battle with Ripley in the power loader became one of the most memorable scenes in the film.
The Colonial Marines are a key part of the film’s action-packed tone. The team of soldiers, led by Lt. Gorman (played by William Hope), includes memorable characters like Corporal Hicks (Michael Biehn) and Private Vasquez (Jenette Goldstein). To prepare for their roles, the actors underwent military-style training, including handling firearms and learning tactics to make their performances more realistic.
Aliens had a significant budget increase compared to the first film (around $18 million), allowing for more complex and spectacular special effects. The film's visual effects were cutting-edge for its time, and many of the sequences, particularly the alien and power loader effects, are still highly regarded.
One of Ripley’s most famous lines in the franchise, "Get away from her, you b****!" is spoken during the final confrontation with the Alien Queen. Sigourney Weaver's delivery of the line became an iconic moment, symbolizing Ripley’s transformation from a reluctant survivor into a fierce protector.
Aliens drew inspiration from various genres, including war films, with comparisons to classics like The Dirty Dozen (1967) and Vietnam War films. Cameron was heavily influenced by these genres, blending intense combat sequences with sci-fi horror.
James Cameron was hired after Ridley Scott passed on directing the sequel. Cameron took the basic elements of the first film and developed his own vision for the story, creating a more expansive universe while staying true to the terrifying nature of the Xenomorphs. His work on Aliens solidified his reputation as a master of action and sci-fi filmmaking.
Cameron’s first draft of the screenplay was significantly different from the final version. Early versions had Ripley returning to Earth, and the aliens invading the planet itself. However, Cameron refined the script to focus on the survivors of the initial Alien encounter, adding the military angle to heighten the action.
The planet LV-426, where the film takes place, was designed to feel desolate and hostile. The set, built on sound stages, used lighting, fog, and elaborate props to create a sense of dread. The film’s atmosphere combined a dark, claustrophobic environment with wide-open spaces for the action sequences, contributing to the intense tone.
Aliens was a huge commercial success, grossing over $131 million worldwide against its $18 million budget. This made it one of the highest-grossing films of 1986 and solidified its place as one of the most successful sci-fi sequels in history.
The relationship between Ripley and Corporal Hicks (Michael Biehn) is a subtle but important part of the film. The two characters develop a mutual respect and camaraderie, and while their bond is never overtly romantic, it adds depth to their characters and the emotional stakes.
The musical score for Aliens was composed by James Horner, who also worked on Star Trek II: The Wrath of Khan (1982). The score is highly regarded for its dramatic and intense music, particularly during the action sequences. It helped elevate the tension and emotion of the film.
Aliens reintroduces two of the franchise's most iconic elements—the Facehugger and the Chestburster. The Facehuggers, the parasitic creatures that implant embryos into their victims, make an appearance early in the film, establishing the stakes and threat before the full alien swarm appears.
Upon its release, Aliens received widespread critical acclaim and was praised for its mix of action and horror. It was seen as a worthy follow-up to Alien, with a stronger emphasis on character development and intense action sequences. Many consider it one of the best sequels ever made.
In Aliens, it was revealed that there are many more Xenomorphs than in the original film. The sight of entire alien hives and swarms of creatures heightened the danger and made the threat far greater than before. The number of Xenomorphs in the film was one of its major differentiating features from the first film’s more isolated and terrifying encounters.
Aliens helped to solidify the Alien franchise as one of the greatest sci-fi franchises ever. It influenced a generation of filmmakers and continues to be a touchstone in both sci-fi and action genres. The film has inspired video games, novels, and even theme park attractions, becoming an enduring part of pop culture.
Aliens is an exciting blend of horror, action, and sci-fi, with its exceptional cast, groundbreaking effects, and iconic characters leaving a lasting legacy in cinema.
Alice in Wonderland (1985) is a whimsical television movie adaptation of Lewis Carroll's classic novels. It follows the story of Alice, a curious young girl who falls down a rabbit hole into the fantastical world of Wonderland. There, she encounters eccentric characters like the White Rabbit, Mad Hatter, Cheshire Cat, and Queen of Hearts. Through bizarre adventures and surreal encounters, Alice navigates the nonsensical world, learning important lessons about identity and reality. Featuring a star-studded cast, vibrant costumes, and musical numbers, the film presents a unique, surreal take on the beloved story.
The film features a star-studded cast with well-known actors of the time, including Telly Savalas (Mad Hatter), Shelley Winters (Queen of Hearts), Sammy Davis Jr. (Cheshire Cat), Robert Hendrickson (White Rabbit), and Carol Channing (The White Queen). This made it an intriguing mix of established actors in unusual roles.
The movie includes several musical numbers, a hallmark of many adaptations of Alice in Wonderland. These songs are often whimsical and add to the playful, fantastical tone of the film.
This version is one of the more surreal and outlandish adaptations of Alice in Wonderland. It blends elements of the original Lewis Carroll stories but introduces a distinctly quirky style, with exaggerated performances from the actors.
The film's colorful and imaginative set design and costumes played a significant role in bringing the whimsical world of Wonderland to life. The visual style of the film stands out for its vibrant, almost cartoonish aesthetic.
It originally aired as a television movie on CBS in 1985, with a prime-time slot, which helped it gain immediate visibility. It was a notable, albeit unconventional, adaptation that garnered attention for its unique approach.
The film adapts elements from both Alice's Adventures in Wonderland and Through the Looking-Glass, using a non-linear narrative style that blends scenes from both books.
Unlike theatrical adaptations, this TV movie was designed for the small screen and made use of special effects, costumes, and sets designed for a more intimate viewing experience, which also shaped its quirky and surreal tone.
The film features a number of songs that became memorable for many viewers, including "I’m Late" and "The Unbirthday Song," which are based on classic scenes from the book. These added a whimsical, musical layer to the film.
Shelley Winters' portrayal of the Queen of Hearts is often considered a standout performance. Her dramatic, larger-than-life portrayal of the temperamental ruler of Wonderland added a distinct and comedic flair to the film.
"Argo" is a 2012 American thriller film directed, produced by, and starring Ben Affleck. The screenplay, written by Chris Terrio, was adapted from the 1999 book "The Master of Disguise" by Antonio J. Mendez and the 2007 article "The Great Escape" by Joshuah Bearman. The film tells the story of the "Canadian Caper," in which six American diplomats were rescued from Iran during the 1979 Iranian hostage crisis. It won the Academy Award for Best Picture and received numerous other awards and nominations.
The film is set during the aftermath of the Iranian Revolution when militants stormed the U.S. Embassy in Tehran, taking 52 American diplomats and citizens hostage. Six Americans managed to escape and hide in the home of the Canadian ambassador, and the movie follows their dangerous and covert rescue mission.
The CIA, led by Tony Mendez (played by Ben Affleck), devises an ingenious plan to get the hostages out of Iran by posing as a Canadian film crew scouting locations for a sci-fi movie, "Argo." Mendez recruits a team that includes makeup artist John Chambers (John Goodman) and Hollywood producer Lester Siegel (Alan Arkin) to help him create a fake movie production. The film then follows their struggle to make the operation believable while navigating through the tense political climate of revolutionary Iran.
Courage and Sacrifice: The film emphasizes the bravery of the individuals involved, particularly Tony Mendez, who risked his life to save others.
Hollywood and Politics: The movie cleverly blends the worlds of Hollywood with the international political crisis, highlighting how the film industry and real-life diplomacy collided in this daring mission.
Espionage and Deception: The central plot hinges on creating a completely fabricated story to extract the hostages, making espionage and deception crucial themes in the film.
Ben Affleck as Tony Mendez: The CIA operative who comes up with the idea of the fake movie.
Bryan Cranston as Jack O'Donnell: Mendez's CIA boss.
John Goodman as John Chambers: A Hollywood makeup artist who assists Mendez in the scheme.
Alan Arkin as Lester Siegel: A producer who helps create the fake movie.
Victor Garber as Ken Taylor: The Canadian Ambassador who shelters the hostages.
Academy Awards (2013): "Argo" won Best Picture, Best Adapted Screenplay, and Best Film Editing. It was also nominated for several other Oscars, including Best Director for Ben Affleck.
Golden Globe Awards: The film won Best Motion Picture – Drama and Best Director.
Critics and Audience: The film received widespread acclaim for its suspense, historical accuracy (with some dramatization for cinematic effect), and excellent performances. It was especially praised for its tight pacing and emotional depth.
While the film is based on real events, it takes some creative liberties for dramatic effect. Some aspects of the story were exaggerated or altered to heighten suspense and narrative tension, and characters were fictionalized or combined. However, the core elements of the story, particularly the CIA operation and the rescue mission, are grounded in real history.
"Argo" not only entertained but also educated audiences about an often-overlooked chapter of modern history. It sparked renewed interest in the Iranian hostage crisis and showcased how the entertainment industry can play a role in global diplomacy.
It’s a gripping film that mixes history with tension-filled moments, making it a highly regarded thriller in contemporary cinema.